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Charlotte liked many kinds of music, from classical to jazz. Among classical
composers, she especially liked Chopin. She also appreciated music from
the Big Band era, Glenn Miller in particular. “In the Mood” was one of her
favorites.
I met Charlotte in 1993 at a mailing which the board members were doing
at Libby Voegel’s house. My husband Julian, a new board member, was
unavailable that day so I substituted for him and thus became an
unofficial volunteer and met the board members including Charlotte.
When I became a board member as recording secretary the following year,
we often collaborated because she and I were enthusiastic adopters of the
rather new computer technology and helped to set up a digital members’
list for the membership committee.
Charlotte was then the newsletter writer, a job I eventually took over as she
became the Performing Arts Chairman. Charlotte was responsible for
securing performers, arranging the event schedule, drawing up contracts,
making any necessary arrangements at the House, and on occasion, even
picking up performers at the train station. She also introduced each concert
or lecture event. Many a summer afternoon we spent on her porch making
phone calls to secure a musician or lecturer, or verify a performance date
for the fall season. Often in the winter (when Richter House was open all
year) we shivered in the office which was poorly heated, doing the same
job for the spring season.
For many years, Charlotte was the sponsor for RAA’s weekly community
access channel program on Comcast TV , faithfully bringing in the tapes
produced by our late videographer, Ed Bozek, for each performance. And
when we both were invited to the annual Comcast Public Access
holiday party, she used the occasion to recruit our present videographer,
Richard Teasdale.
Through the years she helped with art shows, refreshments, mailings and
publicity. There is no doubt that Charlotte Barrows left an indelible mark on
the annals of Richter Arts.
Betty Bontempi
February 2023